I did it: I submitted three stories for the 2010 FMC Fiction Prize.
Thank God.
I decided to add another story to the mix, because submitting three stories is a little bit cheaper than submitting just one. Well, USD $2 is still two bucks. So, in addition to Before I Let You Go and Frogs & Princes, I quickly edited Under The Autumn Rain, a story I wrote seven years ago. Then I went on the Flatmancrooked website and paid USD $40 for the three stories via PayPal. Then I copied and pasted the three stories on the submission form under my pen name. I was so relieved to see the "Success!" message after I hit send.
Again, thank You, Lord!
If you've read Before I Let You Go on my Writing.com profile - coughgotomyprofilecough - you'd know what it's about. Frogs & Princes is about a Christian girl torn between a Christian guy with whom she's in love and a non-Christian guy who's into her. It's semi-autobiographical. 'Nuff said. Anyway, Under The Autumn Rain is about a new Canadian immigrant who's had a bad day and who wants to give up.
Phew!
Even if I don't win anything, at least I got to write a new story. And I was able to write and edit with a deadline. See? It's a win-win situation.
But I do hope I win something. It'd be cool to win even a runner-up prize or consolation prize on the first fiction-writing contest I entered. That'd be really cool.
Ciao for now!
Showing posts with label WordPress. Show all posts
Showing posts with label WordPress. Show all posts
Thursday, July 29, 2010
Friday, July 16, 2010
Lessons Learned***
Yesterday, I finished the story analysis for Maybe This Time. I based my analysis (as with all other analyses) on the five-step story structure that Elizabeth Lyon described in her book A Writer’s Guide to Fiction.
1. Character with a problem – i.e. the protagonist
2. Complications
3. Crises that reach a climax
4. Resolution of the problem
5. Character learns something about self or life
While working on my story analysis, I had a bit of difficulty listing the lessons that my protagonist learns. So I went back to the book. Without giving a clear definition or description, Ms Lyon gave Little Red Riding Hood (Brothers Grimm’s version, I think) as an example; she said that Little Red Riding Hood learned to listen to her mother (who told her not to stray into the woods at the beginning of the story) and to be careful when talking to strangers. Since her mother warned her about straying into the woods at the beginning, I think it would be safe to assume that her mother had warned her about the dangers of talking to strangers. The problem with Little Red Riding Hood was that she didn’t listen to her mother and didn’t take those warnings to heart (she and all other kids, as well as adults, really). In the end, it’s assumed that she learned from her mistakes. That, I guess, is what Ms Lyon meant in her book.
For my story, I listed two things that my protagonist has always known (i.e. before the story even began) and that she applied to solve the story problem. But should that be the case? The reader may not consider those lessons learned, because my heroine used the knowledge of the lessons to solve her problem. She didn’t learn the lessons per se, just applied them.
Although, I realize now, if I rephrase the lessons, they would work. If I did that, I wouldn’t have to make major changes in the problem resolution section, which I was afraid I might need to do. Phew!
I still need to do a major edit and to find a better title. Although, thanks to Kelly Rowland, I might have one.
Ciao for now.
***Originally posted on Adrienne's Notebook on July 14, 2010, at 13:08.***
1. Character with a problem – i.e. the protagonist
2. Complications
3. Crises that reach a climax
4. Resolution of the problem
5. Character learns something about self or life
While working on my story analysis, I had a bit of difficulty listing the lessons that my protagonist learns. So I went back to the book. Without giving a clear definition or description, Ms Lyon gave Little Red Riding Hood (Brothers Grimm’s version, I think) as an example; she said that Little Red Riding Hood learned to listen to her mother (who told her not to stray into the woods at the beginning of the story) and to be careful when talking to strangers. Since her mother warned her about straying into the woods at the beginning, I think it would be safe to assume that her mother had warned her about the dangers of talking to strangers. The problem with Little Red Riding Hood was that she didn’t listen to her mother and didn’t take those warnings to heart (she and all other kids, as well as adults, really). In the end, it’s assumed that she learned from her mistakes. That, I guess, is what Ms Lyon meant in her book.
For my story, I listed two things that my protagonist has always known (i.e. before the story even began) and that she applied to solve the story problem. But should that be the case? The reader may not consider those lessons learned, because my heroine used the knowledge of the lessons to solve her problem. She didn’t learn the lessons per se, just applied them.
Although, I realize now, if I rephrase the lessons, they would work. If I did that, I wouldn’t have to make major changes in the problem resolution section, which I was afraid I might need to do. Phew!
I still need to do a major edit and to find a better title. Although, thanks to Kelly Rowland, I might have one.
Ciao for now.
***Originally posted on Adrienne's Notebook on July 14, 2010, at 13:08.***
Sunday, April 4, 2010
Adrienne's Notebook
Remember my little post about using my Wordpress.com account for a blog? I finally slapped my indecisiveness away and registered a blog! I decided to use it for my fiction-writing, to discuss (with other people or with my split personality) story ideas, character ideas, writer's block, et cetera. I may also post really old short stories for feedback. Or maybe I should post them on Writing.com? Either way, this blog is all about my fiction-writing. I hope you guys read it too!
Here's the link:
Adrienne's Notebook
Here's the link:
Adrienne's Notebook
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Io stesso,
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